FATHER FIGURE

Album ∙ Pop ∙ 2025

Jon Bellion

After 2018’s Glory Sound Prep, songwriter, producer, and multi-instrumentalist Jon Bellion stepped back from releasing music of his own. He still wrote and produced for other artists like Justin Bieber, Maroon 5, and Jonas Brothers, and headed up his label Beautiful Mind Records, which has released albums by the likes of Tori Kelly. He also became a dad—an experience, he tells Apple Music’s Zane Lowe, that sparked a realization. “You start to realize, ‘The father is wildly important in the home,’” he says. “You hear that, you believe that—and then you have children, and you’re like, ‘Oh, my God.’”

Across FATHER FIGURE—Bellion’s first full-length in seven years—the Long Island-born pop alchemist comes to grips with fatherhood’s enormity while also appreciating the way that living life apart from the day-to-day artist grind has opened up his creativity. Now fully independent (FATHER FIGURE is his first album on his own label), Bellion is striking out in directions that, he feels, he wouldn’t have even found if he hadn’t gone on hiatus from performing. “My music has grown and matured in a way that would have never happened if I didn’t walk away from the artistry for a little bit,” he says.

The massive task of nurturing young humans in a chaotic world hangs over the album, giving urgency to Bellion’s innovatively constructed, genre-fluid compositions. On the jittery “MODERN TIMES,” a reggae-tinged collaboration with jazz savant Jon Batiste, Bellion laments those who “got some money and lost [their] sense of mind.” The stripped-down “WHY,” a collaboration with Luke Combs, questions love’s existential purpose—“If the higher I fly is the further I fall/Then why love anything at all?” they wail on the chorus. The sinewy “RICH AND BROKE” brings the listener inside Bellion’s mind during an earthquake’s immediate aftermath. It combines breakbeats, sirens, and fractured choirs, creating a maelstrom that underscores what feels like the album’s statement of purpose: “Had a big chain ’round my neck/That I worked for my whole life/But the first thought was my kids.”

While most of the album operates with what Bellion calls a “very gorilla energy of the masculine,” its last track, the luminous lullaby “MY BOY,” punctures that concept. “Fit inside these arms forever, ’cause the world’s not all it’s cracked up to be,” he croons to the child he’s holding, and the racing thoughts he confesses to God expand on that: “I hate the weakness of showin’ my son what makes me sad,” he raps. But with that vulnerability, he notes, a stronger bond is formed: “He said a present father is worth way more than a perfect dad.” FATHER FIGURE wrestles with masculinity, fatherhood, and culture bravely and with gusto, with Bellion’s ever-evolving artistry and hunger for the truth fueling his desire to get even more real.