Eu Venci o Mundo
Eu Venci o Mundo Album ∙ Hip-Hop/Rap ∙ 2025 Veigh
Posts
Indigo Child II: Love & Frequency
Indigo Child II: Love & Frequency Album ∙ Afro House ∙ 2025 Da Capo The boundary-pushing star gets personal and reflects on growth.
F2D:The Mixtape(Hosted By Doctor Plug)
F2D:The Mixtape(Hosted By Doctor Plug) Album ∙ Hip-Hop/Rap ∙ 2025 K1llbrady
Dirty Work (Apple Music Edition) - EP
Dirty Work (Apple Music Edition) - EP Album ∙ K-Pop ∙ 2025 aespa Hear the remix with Flo Milli and watch a dance performance Shot on iPhone.
MAI ME
MAI ME Album ∙ Pop/Rock ∙ 2025 Mirrr The duo’s second LP packs pop-R&B moods of melancholy and hope.
THE ART OF BEING A MESS
THE ART OF BEING A MESS Album ∙ Pop ∙ 2025 Lauren Spencer Smith Lauren Spencer Smith’s sophomore album THE ART OF BEING A MESS is unapologetically unvarnished. The opening piano chords of “What a beautiful day” are so intimately recorded, the hammer hitting the strings and the frog-like croak of the pedals come across clearly. Lyrically, Spencer Smith is equally vulnerable, like on the aforementioned opener, where she rummages through her feelings to help explain why she feels so particularly shitty on such a gorgeous day. Her makeup is applied perfectly; not a hair is out of place. And yet? Sadness prevails. Spencer Smith spends the album finding ways to be okay while not being okay, like on the indie pop cut “bridesmaid.” Here, she reckons with the deterioration of a friendship, cleverly contextualizing such heartbreak by wishing her ex-bestie could be standing by her side on her wedding day, now that she’s “finally found the man that I adore.” On THE ART OF BEING A ...
Tracks II: The Lost Albums
Tracks II: The Lost Albums Album ∙ Rock ∙ 2025 Bruce Springsteen History gets harder and harder to make, but never in the long, weird history of popular music has there been an analogue for this. Doorstop box sets with troves of fan-coveted rarities are de rigueur for any legacy artist, very much including Bruce Springsteen, whose 1998 compilation Tracks dutifully assembled 66 of these—four and a half hours of alternate history to one of rock’s most vaunted narratives. Twenty-seven years later, its nominal sequel is composed of seven full and distinct stand-alone albums recorded between 1983 and 2018, largely unknown to even the most devout Springsteen cryptographers. That something so auspicious and audacious bears the modest title Tracks II is the slyest joke of his career. Individually, these albums demonstrate both logical extensions of his classic songwriting that manage to meet that impossible standard, as well as tantalizing, disciplined, and fully realize...